Call Me By Your Name: TIFF Review

Cinematic experiences don't really get as pure as this. Call Me By Your Name is one of the most honest, fully realized, and emotional films I've seem tackle what it means to go through a sexual awakening. Aesthetically, the film is a wonderland. So many lush shots of beautiful Northern Italian landscapes. Armie Hammer is at peak form, Timothee Chalamet is a revelation, and Michael Stuhlbarg gives one of the absolute finest monologues in cinematic history. One of the best directed films that I've come across this year. There isn't much more that I can say that people haven't already said. Believe the hype. This film is a marvel.

Comments

Post a Comment

Popular posts from this blog

It Comes At Night: Review

Image
Director Trey Edward Shults’ debut film  Krisha  was one of the most criminally underseen gems from last year and the sheer level of talent he displayed in that film was powerful enough for me to be looking forward to any and all of his future projects. Now he’s re-teaming with everyone’s favorite indie distributor A24 for his follow-up project  It Comes at Night , and if this film proves anything, it’s that Shults isn’t fucking around and he’s here to stay because he has made one of the most singularly spellbinding pieces of horror cinema I’ve seen this decade. It Comes at Night  isn’t necessarily a horror film per say, but rather a hellishly intense psychological thriller/family thriller. It’s a very slow burn but that only adds to its effect. This is a film that slowly creeped its way into my psyche and has now left it scarred and shaken for eternity. This is not a film that will scare you quite like something like  The Conjuring  or  The Exorcist , it’s a film that will have y
Read more

The Little Hours: Review

Image
I will preface this review by admitting that my opinion on this film may be partially swayed by how delightful and entertaining the post-screening Q&A with (Queen) Aubrey Plaza and director (King) Jeff Baena and special face time appearance by Nick Offerman. The Little Hours  evokes some of the best aspects of the works of Monty Python and Mel Brooks. With a short and sweet runtime of 90 minutes, I found myself hysterically laughing from beginning to end but I couldn't help but feel the film was running out of steam come the third act. There's one scene in particular that I won't spoil that feels like its building to a lot but it just disappointingly fizzles out far too soon. Stylistically, there isn't a ton here but a lot of the effect of this film comes from the way that Baena seeks to make these characters relatable to us. Every character is stuck in a situation that restricts them from being their true selves and it's quite possibly the most hilarious s
Read more

The Third Murder: TIFF Review

Image
Hirokazu Koreeda's  The Third Murder  is a break from his usual quiet family drama explorations that I've become very used to. Here, we have murder mystery/courtroom drama and the turnout is unfortunately procedural but nonetheless quite engrossing. At times it can feel like a TV movie and the pacing is rather brutal but Koreeda does a brilliant job and constantly finding ways to surprise his audience and have it not feel contrived. It's imperfect but certainly a thought-provoking and intriguingly twisty movie. Think of an episode of Law & Order but exceptionally directed and acted. The truth is frequently the hardest thing to understand.
Read more